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Press

Dancin’ Oxford (2019)

Maggie Watson

“This was using a traditional dance form in a new and thought-provoking way, and we are immensely fortunate to be able to see such experimental work at the North Wall. Luz and Mannion are hugely accomplished dancers pushing at the boundaries, and it is exciting to witness the shift of an art form that has already extended its reach beyond the social into the theatrical sphere take a further step towards finding new ways of communicating meaning through dance.” 

Sadler's Wells Sampled (2017)

Fjord Review

"With its powerful footwork and vibrant music, Dotdotdot’s “I come to my body as a question” was another highlight." 

Sadler's Wells Sampled (2017)

Exeunt

"There’s a startling wit to the simultaneous snap of their fans and mesmeric articulacy in the solos, with fearsomely complex footwork matched by the proud and questioning swoop of the upper body..."

Londontheatre1 (2016)

Terry Eastham

 “Dotdotdot dance proved to be a fantastic evening where the traditional mixed with the modern and a wonderful and talented team put together a really magical show."

Londondance (2016)

Josephine Leask

"Dotdotdot’s interrogations are intelligent, refreshing and compelling to watch."

The Upcoming (2016)

Laura Ewing

"The show was thoroughly entertaining, illuminating and pioneering."

Oxford Dance Writers, The North Wall (2015)

Susie Crow

'I was reminded of the conversational and expressive quality of this dance of embodied music; faces illuminated by changing moods, the delicacy of fingers razor sharp or fluttering in hesitation, living emotion visible in the twist and poise of torsos, their simple frocks becoming a vital extension of their personalities. They garnered a standing ovation from a rapturous public and we all enjoyed the intimacy of the whole company in spontaneous flamenco banter of dance and music, laughing and egging each other on.'

Buxton Fringe (2015)

Olivia Kehoe

"The choreography is complex yet sharp both in the solos and group pieces. Every tap, clap and finger snap is precise but it’s the energy, power and intensity of the solos that are truly mesmerising."

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Buxton Fringe (2014)

Robbie Carnegie

"This show transcends language, transcends tradition, transcends conscious thought. The artistry is top-notch, but No Frills is also visceral, instinctual and reaches out on a level that goes beyond mere appreciation, touching an audience to the depths."

The Lost Theatre (2014)

Carole Edrich

"Now consider three young dancers, each demonstrably good in their own right, each with a different and complementary forte who are able to get together and produce a spellbinding performance without props, flash fusion formats or clever ways to divert the audience’s attention from the quality of their work and you’ll start understanding their appeal.'

Buxton Fringe (2014)

Gillian Keith

‘One of the most thrilling, uplifting and inspiring shows I have ever seen.  Three beautifully unique dancers and three amazingly talented musicians gave a performance jaw-dropping virtuosity and commitment.  I can’t wait to see more of their work.’

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